The original film, retroactively subtitled Episode IV: A New Hope in 1981, was followed by the sequels Episode V: The Empire Strikes Back (1980) and Episode VI: Return of the Jedi (1983), forming the original Star Wars trilogy. A prequel trilogy was later released, consisting of Episode I: The Phantom Menace (1999), Episode II: Attack of the Clones (2002), and Episode III: Revenge of the Sith (2005). In 2012, Lucas sold his production company to Disney, relinquishing his ownership of the franchise. The subsequently-produced sequel trilogy consists of Episode VII: The Force Awakens (2015), Episode VIII: The Last Jedi (2017), and Episode IX: The Rise of Skywalker (2019). Together, the three trilogies form what has been referred to as the “Skywalker saga”. All nine films were nominated for Academy Awards (with wins going to the first two released) and were commercially successful. Together with the theatrical spin-off films Rogue One (2016) and Solo: A Star Wars Story (2018), the combined box office revenue of the films equates to over US$10 billion, and it is currently the second-highest-grossing film franchise.
Stripping all the chrome. One of the single most important steps in saving money on a paint job is to strip your Mustang as much as possible yourself. This means taking off anything and everything that won't be painted. The more you take off the less the painter has to mask around. Masking not only takes their time (which costs you money) but it also results in areas that simply can't get a full coat of paint. If you take everything off, then the painters can simply scuff and spray, which will give you better and more consistent coverage. Composition Wallboard. Composition wallboard usually presents no particular painting difficulties if the ordinary precautions are observed, such as making certain that the surface is dry and free from grease and oil. The painting procedure for wallboard is the same as for plaster; it requires a priming and sealing coat followed by whatever finishes coats are desired, or may be given one-coat flat or resin-emulsion type paint. THE BRUSHWORK. Depending on the art movement and personal peculiarities of the artist, the brushwork can range from delicate and almost invisible to rough and plastic.
Solvent or oil-based paints are used where a tough, durable finish is required for interior and exterior timber, masonry and furniture - although, as mentioned above, the new generation of acrylics and multi-surface paints offers viable alternatives. In general, brushes need to be cleaned with turpentine or white spirit. What are the major color fields in the painting and their role in the entire composition? Is the light optically realistic or expressive as in Matisse's painting? First consider the size of the painting. The more impressive the subject, the higher the emotions it appeals to, the bigger it is. Religious, mythological paintings are often huge - their massive energy makes you shiver. It is pretty understandable with figurative paintings like Rafael's "The Sistine Madonna", and more subtle with color field paintings of Mark Rothko. People are often overwhelmed with religious tremor in the presence of his artwork, and the size factors in. Also, the subject often calls for larger canvases - battle scenes need space and cannot be fitted into a smaller painting, while some subjects will get lost unless depicted in a smaller size. Use Tinted Primer for Dark Paint Colors.In our second case, suppose you want to apply a deep, dark blue to a beige wall. The good news is that it will be easier to darken a light color than it was to lighten a dark color. In fact, it may only take 2 - 4 coats to get total color coverage in this scenario. The bad news is that if you start out with a white primer you are already moving in the wrong direction. Doing so could increase the number of paint coats you need to 3 - 6... plus the coat of primer! That's a lot of painting!