Cold water paints of the casein type may be applied either directly to a plastered surface, or the surface may be first given a coat of primer-sealer to equalize uneven suction effects. The same is true of resin-emulsion paints, with the recommendations of the manufacturer of the product being given preference in case of doubt. Since resin-emulsion paints usually contain some oil in the binder, they should ordinarily be applied only to plaster which has dried thoroughly. Following a European directive, the British paint industry has reduced VOCs in two stages, the second of which came into force in January last year. When you have all the tools at hand, examine your exterior. You might find exterior painting problems, which could be any of the following: alligatoring, blistering, chalking, chalk run down, crackling, dirt pickup, efflorescence, fading, frosting, lapping, mildew, nail head rusting, paint incompatibility, peeling, poor alkali resistance, poor adhesion, poor gloss retention, surfacent leaching, staining, vinyl siding wrap, wax bleed, or wrinkling.
Is some color dominating? Blue Dogs and the Legend of Loup Garou. In 1992, George Rodrigue, a Cajun artist from New Iberia, Louisiana, painted a series of paintings called The Blue Dog Pictures which were made popular by an advertising campaign done by Absolute Vodka. The blue dog has popped up in numerous other venues since then, but it wasn't created for commercial purposes. Rodrigue based his paintings on the Cajun legend of Loup Garou, the werewolf that is said to haunt the swamplands surrounding Acadiana and New Orleans. Parents teach their children morality lessons using the character and the commercial use of the blue dog has softened its image, but both Cajun and ancient American Indians still declare there's a factual basis for the story. Is there a werewolf in the bayou? The purpose of this article is to take the mystery out of the process of painting. This article is only written to get you started. I'll write more detailed techniques later. But this article will set you on your way to experimenting and having fun with paint. Ultimately it's like anything in this world. Before you have the knowledge, it's complicated. But once you have it, it's easy! Knowledge is power, and this phenomenon definitely applies to painting. The technical aspects are the easy part. Anyone can do it. You ultimately could be as capable as Monet with practice. We humans can do whatever we decide to do! Deciding WHAT to paint is the hard part. It takes discipline and a singularly focused desire to create one painting after another. For whatever reason, I loved it the minute I started. And I never looked back. I love it today as much as I did over 16 years ago. I never have "writer's block" either as to what to paint. I just paint from my experiences in life. So don't think too hard on it. Paint that apple sitting on the table, or paint the tree in your own back yard, paint your girlfriend in an unusual way. But paint something that means something to you, that's all that matters. Make it funky, make it interesting. If it's abstract, remember that abstract art has long been the most desirable. It's an expression of the individual, make it unique. For those who want realism, take a picture. What's amazing is that once you do it, you realize it's the ultimate escape into happiness. Suddenly you forget your problems for that period of time. You have control, and no one can take it away from you once you are skilled at painting. The process is addicting. But like anything, you must START! And once you do, look out....you'll be hooked. Visual perceptual skills: Visual perception develops through a child's interaction with his environment. When a child stretches his arm to reach a high branch, or climbs through a tunnel in an obstacle course, he is developing his spatial perception. Shape perception is developed by a child grasping and manipulating many different objects in play. When he cannot find the toy he wants and has to search for it in his toy-box, he is developing figure-ground perception.