Rubber-base paints, which dry to a hard semi-gloss finish, may be used on concrete floors below grade, providing the floor is not continually damp from seepage and condensation.
OK, let's get started. Step one...supplies. You need a flat brush, a fan, a small detail brush and a couple of Filberts. A filbert is a rounded edge brush that lets you maneuver the paint easily without going outside the edges. Ultimately buy brushes that you like though, and make them work. Fans allow you to blend, for example. I use fans a lot and it's how I graduate color throughout my images. Everything I paint is by hand....no airbrushing or assistants. I want it to be an expression of me and nobody else. You also need an oil painting medium to mix with the oil paint to make it more fluid, and to speed or slow the drying process. Whichever you prefer. Go to the art store and don't be afraid to ask for help....they'll love helping you! A medium is merely an additive liquid which increases gloss, makes it flow easily, preserves the finish over time, keeps it from yellowing. I personally love Galkyd and Galkyd Lite. If that isn't available, buy a medium that looks like liquid amber and is kind of thick. Don't buy watery looking mediums....too hard to work with.
THE COMPOSITION. Now go back to the subject and your first impressions about the painting. It's time to analyze how the artist made you feel the way you felt using the artistic means it his/her disposal. The composition is the position and the balance of the objects and figures in the space, the interrelation of their size, coloring, shading etc. How exactly does all that impact your perception? Let's dig in.
STENCILING. You may want designs on the walls, or perhaps even on floors and ceilings, in some of the rooms or hallway. You may buy or make your own stencils, which should be on heavy paper, stencil board, plastic, or metal. Avoid stencils made of lightweight paper which will get soaked when touched by wet paint. Your paint dealer will suggest the best paint for you to use, as it will depend a great deal on the surface over which you want to put the stenciled designs. Generally a heavy paint is used, so that it will not spread under the stencil while you are applying it.
Proper brush technique: When "cutting in" with a paint brush you should dip the brush in paint and tap the sides of the bucket on each side of the brush, leaving a good amount on the brush so you are able to minimize the times you will need to dip/load the brush. Next, take the brush and make a one foot to two foot line down the wall about an inch or two away from the trim or surface you are going to paint up next to, this is much like taking a knife full of butter and spreading it across an entire slice of bread. After, spreading the paint over the section, go back and even the paint out evenly across the section and cut up next to the trim with the brush. You want to paint up next to the trim or surfaced to be cut-in with the paint brush after you have released most of the paint on the wall, it is easier to cut in with the tips of the brush exposed and not loaded with a lot of paint.
If you have a timber floor that's not particularly attractive or is made from a patchwork of old and new wood, paint makes the perfect disguise. There are plenty of choices - all the colours from Farrow & Ball are available as floor paint and Nordic Style offers an elegant selection, too.
If you are a Summer (Light and Cool), your colors mimic the soft colors of the sky and sea with their cool and soft blue undertones. Summer women receive compliments with pastel shades such as rose, periwinkle and sage. Avoid wearing colors in rust, terra cotta and any shade of orange. Accessories in silver, white gold, opal and pewter accent your look.