Yellow color is sunny and light. Historically this color symbolizes gold and wealth, and in the East it is a symbol of eternity and greatness. This color creates optimistic and bright mood and goes together greatly with the other colors of the interior. At the same time the warm sunny tints never carry a negative charge. Yellow color creates an impression of lightness and joy. It frees you from the weight of worries, problems, and limits. This color is hope and expectation of big happiness in its multiple forms starting with sex and going up to some philosophical and religious outlooks. Inside the house is where acrylic shines. It dries faster than other types, and it keeps its color better, without yellowing. One disadvantage: It costs more. OK, let's get started. Step one...supplies. You need a flat brush, a fan, a small detail brush and a couple of Filberts. A filbert is a rounded edge brush that lets you maneuver the paint easily without going outside the edges. Ultimately buy brushes that you like though, and make them work. Fans allow you to blend, for example. I use fans a lot and it's how I graduate color throughout my images. Everything I paint is by hand....no airbrushing or assistants. I want it to be an expression of me and nobody else. You also need an oil painting medium to mix with the oil paint to make it more fluid, and to speed or slow the drying process. Whichever you prefer. Go to the art store and don't be afraid to ask for help....they'll love helping you! A medium is merely an additive liquid which increases gloss, makes it flow easily, preserves the finish over time, keeps it from yellowing. I personally love Galkyd and Galkyd Lite. If that isn't available, buy a medium that looks like liquid amber and is kind of thick. Don't buy watery looking mediums....too hard to work with.
And, its never been more important to know your colors. Why? Because color is back in a big way! Just look at the vast variety of colors in the department stores. Jaipur School: Gods and goddesses, kings and durbars are very attractively painted on hand made papers by the artists. Proper brush technique: When "cutting in" with a paint brush you should dip the brush in paint and tap the sides of the bucket on each side of the brush, leaving a good amount on the brush so you are able to minimize the times you will need to dip/load the brush. Next, take the brush and make a one foot to two foot line down the wall about an inch or two away from the trim or surface you are going to paint up next to, this is much like taking a knife full of butter and spreading it across an entire slice of bread. After, spreading the paint over the section, go back and even the paint out evenly across the section and cut up next to the trim with the brush. You want to paint up next to the trim or surfaced to be cut-in with the paint brush after you have released most of the paint on the wall, it is easier to cut in with the tips of the brush exposed and not loaded with a lot of paint. The leading brands now flag up paints with lower VOCs and produce paints that are virtually odour-free - the Breatheasy range by Crown is one example. Most leading brands now produce high-quality water-based acrylic paints which outperform the older technologies of vinyl and oils.