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THE COMPOSITION. Now go back to the subject and your first impressions about the painting. It's time to analyze how the artist made you feel the way you felt using the artistic means it his/her disposal. The composition is the position and the balance of the objects and figures in the space, the interrelation of their size, coloring, shading etc. How exactly does all that impact your perception? Let's dig in.
Before you start painting, it is a good idea to keep an eye on the weather for rain or snow. You don't want to start painting only to stop abruptly because of the weather.
Special paints have been innovated from different consumer insights and brilliant paint technology that allows specific paints for specific needs.
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There are many different kinds of textures, a smooth wall -which is really a "non-texture," will only need to be sanded and the outside edges sponged before painting over it. Hand texture which is easily reproduced by applying drywall compound with a drywall knife and troweling the compound on the patched area to simulate the existing wall texture. A rolled on texture is applied by rolling on some thinned down drywall compound or dry mix that water is added to -the thickness of the compound or dry mix will determine the heaviness of the texture. Some variations of roll on textures have a rough sand granule appearance and both dry mix types can be purchased at most local hardware stores, large hardware depots or at local paint stores, where you will also be able to find spray cans of orange peel or knock down texture. Always make sure to shake the can for a couple of minutes, then test out the spray pattern on a piece of cardboard or scrap sheet of drywall before trying to simulate it on the wall. Orange peel is just sprayed on and left to dry, you will need to experiment so you can adjust the spray nozzle to simulate the texture as close as possible to the size/pattern of the existing wall.
OK, now let it dry overnight. The next day....or whenever you get around to it....mix a lot of Galkyd with just a little bit of color and glaze it over the first layer. Layer upon layer....allowing each layer to dry... is what makes paintings look finished and interesting and expensive in my view. Certainly you can paint wet on wet, as van Gogh did. But that's a much harder proposition we'll talk about later. You can put as many layers as you wish until you get your desired look. A thin glaze of Galkyd with just a little black works great on top of any dried color underneath. It give it an antique and finished look. But be careful not to add too much black. Don't worry, if you put too much just wipe it off and start over. That's the great thing about oil is it dries slower and you can tweak, correct, start over before it dries. Tip: a thin layer of yellow glaze looks good on top of almost any color too. A thin glaze of green looks good over blue, a thin glaze of blue looks good over purple. But ultimately you can pick and choose and experiment with which color to add to your glazes. There are no rules. Invent ones of your own. A thin glaze of yellow on top of a dried layer of red looks awesome. A thin layer of yellow on boring brown make it look like expensive and not-boring brown. You get the idea. But make the process your own and have fun with it. No one will ever do it quite the way you do, and that's what's interesting about the process.
How often will I need a touch up? A very popular question from today's clients. Usually that is determined by how fast each person's hair grows individually. Yes, because the regrowth is the main reason for touching up hair color. Usually three to four weeks is recommended for all over hair color touch ups. But I have had clients need a color touch up as early as two weeks due to their hair growing more quickly.
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