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Semi-gloss paints are very similar to gloss plaints except it has lesser sheen. Semi-gloss is also suitable for rooms with high humidity (best used for children's room) and can be used for trim works and casings. These paints ensure maximum durability.
Intensity refers to a colors brightness or saturation. Intensity refers to how pure a color is. For instance, if you were to use cadmium red straight from the tube, it would have a high intensity. If you were to mix it with another color however, its intensity would be diminished.
First consider the size of the painting. The more impressive the subject, the higher the emotions it appeals to, the bigger it is. Religious, mythological paintings are often huge - their massive energy makes you shiver. It is pretty understandable with figurative paintings like Rafael's "The Sistine Madonna", and more subtle with color field paintings of Mark Rothko. People are often overwhelmed with religious tremor in the presence of his artwork, and the size factors in. Also, the subject often calls for larger canvases - battle scenes need space and cannot be fitted into a smaller painting, while some subjects will get lost unless depicted in a smaller size.
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COMPLIMENTARY COLORS. These are colors that are opposite from one another on the color wheel. Red and green, blue and orange, yellow and violet, are examples of complimentary colors. Complimentary colors are colors of extreme contrast. When used together in a painting, they can produce brilliant vibrant images.
Visual perceptual skills: Visual perception develops through a child's interaction with his environment. When a child stretches his arm to reach a high branch, or climbs through a tunnel in an obstacle course, he is developing his spatial perception. Shape perception is developed by a child grasping and manipulating many different objects in play. When he cannot find the toy he wants and has to search for it in his toy-box, he is developing figure-ground perception.
When you apply a coat of paint to a wall, it doesn't fully cover the surface, so the new paint color essentially mixes with the color of the wall. Suppose that mixing these 2 colors produces a new color that is essentially the average of the first 2, so the first coat of yellow over the brown will give you a color with a luminosity score of 6 (8+4=12, 12/2=6). After that dries, adding another coat of yellow (score of 4) brings the color on the wall to a score of 5.
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