Wood Walls and Trim. New interior walls and wood trim should be smoothed with sand-paper and dusted before painting or varnishing. To preserve the grain of the wood, the surface may be rubbed with linseed oil, varnished or shellacked, and waxed. If an opaque finish is desired, semi-gloss paint thinned with 1 pint of turpen-tine per gallon of paint or the primer-sealer previously described for walls may be used as a priming coat on wood. One or two coats of semi-gloss paint should then be applied over the thoroughly dry prime coat, or if a full-gloss finish is desired, the last coat should be a high-gloss enamel.
The most challenging question and statement a stylist or colorist can receive is: Can you correct this hair color I applied at home? It looks terrible! I personally love doing corrective hair coloring. A lot of hair stylist do not like this area of our field. Be sure your stylist has plenty of experience in this area of hair coloring if you need this service rendered. I really won't go too in depth here about corrective hair coloring, accept that, usually a botched at home color can be corrected with the following: Time at the salon for the correction. Money, as this service can be expensive. Cooperation with, and trust in, the hair stylist's or hair colorist's judgment.
What colors are prevailing - tonal or local, warm or cold?
Don't ask friends to help you paint. Basically, you are asking them to give up their day off to save you money. You don't want to be first on the list when your painting buddy hits you up to help him move do you?
THE NARRATIVE. First look for the narrative, simply describe what you see. Who or what is depicted, what's going on? If you see people and things, the painting is figurative; if you see lines and splashes - go for non-figurative. The name of the painting might come in handy, especially when it comes to Dali. What seems to be more important for the artist - representation or expression? Compare the paintings in the styles of hyperrealism and expressionism - you can always tell if the images look idealized or expressly distorted. Notice the feelings you get looking at the painting, the general impression produced by the entire painting and its elements - later you will dig deeper to understand what inspired those emotions. There is a reason why you like one painting more than the other. Your taste in art is as unique as your taste in food or clothes, inspired by your background, upbringing and even professional expertise.
Now, decide WHAT you want to paint. Very important...you do NOT need to know how to draw. That's the great thing about painting, you can create even if you've never had a lesson. Don't get me wrong, art school is great. But don't let the lack thereof deter you from creating. You do not have to have a teacher to tell you how to create. You do need to know a few basic techniques, but from there let your imagination fly! When deciding what to paint, go to some websites about artists or Google famous artists to get inspired. Again, do not let a lack of training deter you from painting! Many of the great artists of the past had no training either. Many can't draw stick figures, but they can paint because the colors give you amazing options of expression! You may also go to my websites mentioned below or Google me to see all the crazy work I've created. My personal preference has been to create a large variety of work to keep it interesting and versatile. I did not want to be that artist who only painted one thing over and over. To me that's boring, and it should be boring to you too. Any known artist of the past has a vast variety of work. You'll also find that it makes it more interesting to you while you're doing it, because you won't ever get bored, you'll always be wondering how it'll turn out.
Purple is the most contradicting color, to start at least because it consists of two antagonists: hot red and cold blue, ice and fire. It is the most mysterious color. It was the last color to emerge in art. Purple has a lot of other shades that are less rich and more lightened and muted: starting from light-lilac and going up to ashy gray-purple, which can give the interior a certain style and exquisiteness.