Now let's proceed to analyzing the center of the composition. There is an optical center in the middle - you will notice that the center of the composition, the major element will never be placed there, otherwise the scene will look artificial. The center of the composition will always be the most striking element, and the rest will just serve to make it more expressive. The artist may use various means to achieve this effect - the color contrasts, light and shade effects, size of objects and distance between them. Secondary elements are depicted with less detail and vigor - they have to bring forward the center, not block it. Notice the way your eyes travel the painting - intuitively you will start at the center and will proceed to the rest of the elements to refine the story.
Rubber-base paints, which dry to a hard semi-gloss finish, may be used on concrete floors below grade, providing the floor is not continually damp from seepage and condensation.
And, its never been more important to know your colors. Why? Because color is back in a big way! Just look at the vast variety of colors in the department stores.
Anti-condensation paints are used for rooms with humid conditions such as kitchen and bathrooms. This paint is usually formulated to prevent condensation and often includes fungicide.
Blue Dogs and the Legend of Loup Garou. In 1992, George Rodrigue, a Cajun artist from New Iberia, Louisiana, painted a series of paintings called The Blue Dog Pictures which were made popular by an advertising campaign done by Absolute Vodka. The blue dog has popped up in numerous other venues since then, but it wasn't created for commercial purposes. Rodrigue based his paintings on the Cajun legend of Loup Garou, the werewolf that is said to haunt the swamplands surrounding Acadiana and New Orleans. Parents teach their children morality lessons using the character and the commercial use of the blue dog has softened its image, but both Cajun and ancient American Indians still declare there's a factual basis for the story. Is there a werewolf in the bayou?
Always use a sanding block for flat surfaces. Just your hand behind a thin piece of sand paper can leave grooves and low spots. It's also easier on your hands. For inside curves try wrapping the sand paper around a short section of garden or heater hose. This will help approximate the concave curve and help stay away from sanding through hard edges. On hard edges, like the top ridge of a fender or leading edge of a hood, you need to do this by hand. A sanding block will quickly dig right through the paint on a hard edge and take you down to bare metal. This means primer and more sanding.
Step four: the key to a finished looking painting is to build it just like a house...and by that I mean layers. Paint it in the reverse order in which the eye sees it to make it three-dimensional. By this I mean paint what's farthest from the eye first, and build layer upon layer towards the eye. In other words, do the background first because it should be the farthest from the eye, then add the objects on top of that, and then add the shadows to complete the look. Ultimately it's common sense. If you paint a bowl of fruit, the bowl and fruit need to sit on top of that background, much as it would in real life.