Primer paints may be oil- or water-based and are used to seal unpainted surfaces to prevent covering coats of paint soaking in. The appropriate type of primer should be used for the surface being painted - wood, metal, plaster or tiles. There are some 'all purpose primers' available which are designed for two or more of these surfaces. Now let's proceed to analyzing the center of the composition. There is an optical center in the middle - you will notice that the center of the composition, the major element will never be placed there, otherwise the scene will look artificial. The center of the composition will always be the most striking element, and the rest will just serve to make it more expressive. The artist may use various means to achieve this effect - the color contrasts, light and shade effects, size of objects and distance between them. Secondary elements are depicted with less detail and vigor - they have to bring forward the center, not block it. Notice the way your eyes travel the painting - intuitively you will start at the center and will proceed to the rest of the elements to refine the story. Composition Wallboard. Composition wallboard usually presents no particular painting difficulties if the ordinary precautions are observed, such as making certain that the surface is dry and free from grease and oil. The painting procedure for wallboard is the same as for plaster; it requires a priming and sealing coat followed by whatever finishes coats are desired, or may be given one-coat flat or resin-emulsion type paint.
So how do you know which colors to choose? Thank goodness for Color Me Beautiful. I am sure you remember Color Me Beautiful, a New York Times best seller which sold over 15 million copies. Step six: once you get all the layers just like you like, let it dry thoroughly for several days. Now take black and apply the shadows with your clean brush in keeping with the laws of shadow and light like you've learned earlier. If you put too much, wipe it back with a Q-tip or a rag until it looks like a shadow. Make sure you're putting shadows on top of only dry under layers. Always clean your brushes in between colors to keep the colors isolated and pure too. You don't want blue in your shadows, for example. Study my paintings if you wish because I do a lot of distinct shadows and I light things like vases, leaves, birds, fruit, etc. in ways that I think will stand out to you. Like if I paint a vase the bottom of the vase is darker than the top. Just like in real life. This applies to any shape whether it be a face or an apple or a vase. Also look at my backgrounds, as I've done a lot of them. Notice how each background is a multitude of layers to give it a finished and complicated look. Glazes allow me to reach this end. When I started out I didn't know what I was doing and friends and family thought I was crazy. And the very same people act like they knew I'd make it now that I have. Oh well, it's the way of the world. But stick with it and you'll be enlightened and inspired over time! Some acrylics are also recommended for exteriors (over the same kinds of materials as vinyl paints). Here it has a big advantage - you don't have to pick your painting weather so carefully. It can be applied on humid days and in cold seasons, so long as the temperature is a few degrees above freezing. WOODWORK. · Check woodwork for damage. if there is one, patch it with a wood filler, dry it overnight and sand it for any rough spots and apply a sealer before painting. · If you'll be using the same paint on the walls and woodwork, paint the woodwork as you come to it. If it is another color of higher in gloss, wait until the walls are done. · Paint double-hung windows from the wood between the panes then outward. On casement windows, us the same technique, but keep the windows slightly open until the paint dries. · For panel doors, paint the decorative molded edges first, then the individual panels. Paint from the center out. When the panels are completed, paint the vertical and horizontal flat panels. · Use a painter's tape or painter's shield to keep paint off windowpanes. Do not use a masking tape or a duct tape. Using a painter's tape or painter's shield allows you to keep areas covered for up to 3 days. · Paint the top edge baseboards first, then the bottom along the floor. Paint the middle section last. · Remove cabinet doors and drawers and paint the flat surfaces first. Paint inside the edges, then move to the outer surfaces.