Composition Wallboard. Composition wallboard usually presents no particular painting difficulties if the ordinary precautions are observed, such as making certain that the surface is dry and free from grease and oil. The painting procedure for wallboard is the same as for plaster; it requires a priming and sealing coat followed by whatever finishes coats are desired, or may be given one-coat flat or resin-emulsion type paint.
Preparation, the key to a successful paint job is to take the correct steps when preparing the job. Preparation for this article, has two parts, the first part is wall prep. The walls you are going to paint may have nail holes or imperfections that need to be filled before you paint. The proper way to fill them, if they are smaller is with water putty, by simply forcing a little bit of the putty in the hole and breaking it off flush with the surface. For larger depressions, use a drywall compound or spackle, which may require a second application to fully fill the indentation and make the repair/"patch" flush with the wall.
"Boxing" is a good method of mixing paints. Since paint is a mixture of solids and liquids, it is important that it be mixed thoroughly before using. To do this, the greater portion of the liquid contents of the can should be poured in a clean bucket somewhat larger than the paint can. Then, with a stiff paddle, the settled pigment in the original container should be loosened and any lumps broken up. After this, mix the material in the container thoroughly, using a figure 8 motion, and follow with a lifting and beating motion. Continue stirring the mixture vigorously while slowly adding the liquid that was previously poured off the top. Complete the mixing by pouring the paint back and forth from one container to the other several times until the entire amount is of uniform consistency.
CONCLUSION. Once again go through the images and the story of the painting. Was your first impression different from what you see now? Take a 5-minute online test to explore your preferences in fine arts. In 5 minutes you will confidently say "I prefer impressionist cityscapes", or "This room calls for a color field painting", "I need to have an art nouveau nude in my bedroom" - and you will know what you are talking about!
Five categories are used to describe VOC content. For guidance, a minimal VOC content is up to 0.29 per cent, whereas a very high VOC content is above 50 per cent. All brands have, where necessary, reformulated their ranges to give minimal VOC content.
So lets start with Warm and Cool. When thinking about Warm, think about a desert panorama of gold, brown and earth tones. When thinking about Cool think of colors in the artic such as gray, black, white or think of the deep blue sea such as deep blues, blue greens and turquoise. Everyone can wear just about any color, the difference is in the shade of the color. When thinking of clothing, makeup or accessories, visualize Cool as a color with a drop of silvery-blue. Visualize Warm as a color with a drop of gold. For example, if you put a drop of gold to a red sweater it becomes a Warm red, but if you put a drop of silvery blue it becomes a Cool red.
TEMPERATURE OF COLOR. Colors have temperature, referred to as warm or cool. In painting, reds, yellows and oranges are referred to as warm colors and blues, violets and greens are referred to as cool colors. One of the biggest lessons you will ever learn about color temperature though, is that the appearance of color can change drastically depending on its surroundings. For instance, a certain yellow would appear much hotter if it were surrounded by a violet then say an orange. Another important lesson in color temperature: Warm colors will advance in a painting and cool colors recede.