If you have a vinyl top then remove the molding separating the vinyl and paint. Drip rail chrome really should be removed also, but can be extremely hard to take off undamaged. If you plan on buying all new drip molding then definitely remove the old for painting. But if you want to keep the originals then it might be better to leave them on and let the painter mask around. If you have hub caps it's easy to just take them off. While the paint shop should completely mask all four tires, overspray can still find its way in. It's sometimes better to play it safe and just remove wheel covers.
Saved and The Distinguished Member of the Humane Society. Sir Edwin Henry Landseer, best known for his lion sculptures in Trafalgar Square, London, created a dog painting called Saved in 1856 which depicts a Newfoundland dog saving a small child from drowning. Eighteen years previous to that he had used the same dog breed for his now famous The Distinguished Member of the Humane Society. Each of the dogs portrayed, which may actually be two images of the same animal, are of the black and white variety of Newfoundland not particularly common at the time. His obvious love for this particular breed made Landseer famous with dog kennels and shows around the world. The Landseer Newfoundland is named after him.
Most of us look to save where we can, especially in this day and economic conditions. House painting is no different, when it comes to saving money. A home exterior weathers from harsh elements of heat, cold, sun, and snow, and exterior paint ages over time needing repainting. Exterior trim, being that of solid wood is normally the first to show signs of painting maintenance. Many times a homeowner happens to call, asking for only painting the trim. Trim paint jobs sound good at first, but have some underlying thoughts may have not been considered. Below are things to consider when considering painting trim only.
Don't ask friends to help you paint. Basically, you are asking them to give up their day off to save you money. You don't want to be first on the list when your painting buddy hits you up to help him move do you?
First consider the size of the painting. The more impressive the subject, the higher the emotions it appeals to, the bigger it is. Religious, mythological paintings are often huge - their massive energy makes you shiver. It is pretty understandable with figurative paintings like Rafael's "The Sistine Madonna", and more subtle with color field paintings of Mark Rothko. People are often overwhelmed with religious tremor in the presence of his artwork, and the size factors in. Also, the subject often calls for larger canvases - battle scenes need space and cannot be fitted into a smaller painting, while some subjects will get lost unless depicted in a smaller size.
PRIMARY COLORS. The primary colors are red, yellow and blue. These colors are your base colors from which all other colors come from.
THE BACKROUND. Collect information on the artist and the historical background. To analyze "Guernica" by Picasso, you need to know that Guernica is a town demolished by the Nazi, and you have to read up on the essential features of cubism. To interpret the image of kissing people covered by a piece of cloth in Magritt's "The Lovers", whatever you guess by looking at the painting falls flat once you know that the artist's mother got drowned in the river, and when found, a piece of cloth was wrapped around her head. So, don't rely on your skills and taste too much, there are things you need to KNOW before you start making assumptions. The historical background of the paintings itself is important. Was the artist an innovator, did he start a new trend or movement, whose steps did he/she follow? What experiments was he involved with? How was the painting perceived by the contemporaries? Claude Monet started impressionism with the painting "Sunrise. Impressions". Malevych started suprematism as a development on abstractionism, laying out the new artistic theory of the color, the form and the composition of the painting. The rough lines and raw colors in the fauvist paintings may be traced back to Van Gogh. Do you think there is something new suggested in the painting you are looking at, or is there anything at all distinguishing about it?