The second part of preparation is surface prep, it addresses covering the surfaces you do not want to get any paint on. A little plastic sheeting will go along way to keeping paint off of floors, window coverings, handrails, cabinets, counter tops, etc... And, if you are not confident with your ability to paint a straight line next to door casing, baseboards, cabinets or hardware protect these surfaces using masking tape. There are two basic types of masking tape white/yellow and blue. The white tape sticks to surfaces better but, can pull off finishes on cabinets or stained woodwork. Blue tape usually will not pull off finishes but, does not stick as well, this will probably be the tape to use for most applications. Always wipe down or dust the surface you will be masking to assure the best tape adhesion possible. If you use blue tape you may need to re-rub down the tape before painting next to it, only mask off areas with blue tape that you will be painting for a given day. With either tapes, do not assume the are a force field that paint will not penetrate, use them as a reference and dry brush the paint next to the edge of the tape and avoid soaking the edge of the tape with a lot of paint, this will cause the paint to "bleed" through giving you an undesired look. If you will need to apply multiple coats of paint, on the first coat, paint as close to the tape as you can, not really getting paint on the tape. With the second coat or a one coat application, you can use the tape more of like a paint barrier and get a little more paint on the tape if you immediately remove each section of tape after painting the section, this will keep the paint from sitting on the tape and "bleeding" behind it. Also, if you get a lot of paint on the tape it is not good to let the paint dry on the tape because some paints (especially the glossier paints) will peel if allowed to dried, with the tape when it is pulled off. White tape should not be left on for longer than a couple of days and I suggest not leaving it on more than a day in areas that receive long periods of direct sunlight. Blue tape can be left on for days, if it will stay on, there again it does not stick as well and may need rubbed down again immediately before painting up next to it. We use two eyes to read and the part of our brain that develops our language and auditory processes is on the opposite side to where our visual perception develops. We need visual perception to recognise the written letters and auditory processing to convert them to the sounds and words they represent. Therefore, we need good communication between both sides of the brain; this is bilateral integration. Children begin to develop bilateral integration through movement and playing in their environment with different objects and obstacles. It's funny, but many of the colors that a paint company puts in its line would never look good painted on any wall. The colors are 100% used to grab your attention when you are perusing paint displays. People are helplessly attracted to bright colors; they are much more eye-catching and far more interesting to our brains.
Step four: the key to a finished looking painting is to build it just like a house...and by that I mean layers. Paint it in the reverse order in which the eye sees it to make it three-dimensional. By this I mean paint what's farthest from the eye first, and build layer upon layer towards the eye. In other words, do the background first because it should be the farthest from the eye, then add the objects on top of that, and then add the shadows to complete the look. Ultimately it's common sense. If you paint a bowl of fruit, the bowl and fruit need to sit on top of that background, much as it would in real life. If new caulk is applied, main body portion needs to be touched up, and most of the time new paint will not match aged paint even using exactly the same paint out of the same paint can, as sheen difference will come into play. A High-gloss paint is highly reflective and works well for highlighting details, such as trim and decorative molding. They are also the best choice for doors and cabinet - or any area that sees a high volume of abuse. Now take a look at the form of the canvas - you might take it for granted, but it does influence the subconscious feeling you get when enjoying a piece of art. Round and oval canvases produce the impression of serenity and completeness, they are often picked for feminine, soft portraits, like Ingre's "Turkish bath". Rectangular paintings - vertical or horizontal - are more complicated. While widely used in landscapes, the horizontal format may serve to diminish the figure portrayed, impose or convey some limits, as you can see in Vrubel's "Demon". Vertical format ensures monumentality and steadiness.