The most challenging question and statement a stylist or colorist can receive is: Can you correct this hair color I applied at home? It looks terrible! I personally love doing corrective hair coloring. A lot of hair stylist do not like this area of our field. Be sure your stylist has plenty of experience in this area of hair coloring if you need this service rendered. I really won't go too in depth here about corrective hair coloring, accept that, usually a botched at home color can be corrected with the following: Time at the salon for the correction. Money, as this service can be expensive. Cooperation with, and trust in, the hair stylist's or hair colorist's judgment. You can use vinyl on almost any exterior except previously painted wood. It works fine on wood shingles and shakes, asbestos shingles, brick, stucco, concrete and masonry blocks. One manufacturer says you can even put it on wood clapboard if the clapboard is new and unprimed. Will the color fade? Now this is a very broad question with various answers. Hair color fading is due to many factors. First of which is, the ability of the hair to hold hair color. We call this porosity. If the hair is overly porous it will have a problem holding hair color. There are ways a stylist can usually alleviate this problem. Once in a while the hair is so damaged it absolutely impossible for the hair to hold color. Your stylist should always have the skills to evaluate these situations, and recommend certain conditioning treatments to bring the hair back to a normal porosity.
Purple is the most contradicting color, to start at least because it consists of two antagonists: hot red and cold blue, ice and fire. It is the most mysterious color. It was the last color to emerge in art. Purple has a lot of other shades that are less rich and more lightened and muted: starting from light-lilac and going up to ashy gray-purple, which can give the interior a certain style and exquisiteness. Types of Paint. Water-based paints are usually referred to as emulsions and were traditionally used only for interior walls and ceilings. But recently tremendous advances in paint technology mean that water-based formulas, especially the high-performing acrylics, are available for all surfaces, from woodwork to metal, and for interior and exterior use. The advantages of these paints over oil-based ones is that they are cleaner, have less odour and are more environmentally sound. Brushes can be rinsed clean with water. If a desired shade is not obtainable in custom-or ready-mixed paints, white paints may be tinted with colors-in-oil. To do this, mix the color-in-oil with a small amount of turpentine or mineral spirits and stir this into the white paint, a little at a time. If a blended color is desired, more than one color may be added, such as a chrome green and chrome yellow pigments to produce a lettuce green shade. THE STYLE / MOVEMENT. The fastest way to interpret a painting is to determine what movement it belongs to, or at least what movements and styles influenced the artist. The style influences the choice and treatment of the subject, the color, the perspective and the symbols. Impressionists, for instance, experimented with unusual perspectives - bird's eye or frog's eye; their brushwork is visible and the colors are laid separately to mix in the eye of the viewer rather than on the palette. In impressionism the light is more important than the people it bounces off - quite different from romanticism. In romanticism you have to be a poet, a revolutionary, a gypsy or a vagabond to make your way into the painting - they appreciated the bold spirit, the freedom and the people who were different.