Indian artists employed multiple perspectives unlike their European counterparts in their paintings. The idea was to convey reality that existed beyond specific vantage point. Some of the special Miniature paintings include illustrated manuscripts of Jains and Buddhists, the flowering of the Mughal, Rajput and Deccan miniatures. Themes used were from Indian epics like Ramayana, Mahabharata, Bhagvata Purana, Rasikpriya, Rasamanjiri as well as ragas of Indian classical music, etc.
The second part of preparation is surface prep, it addresses covering the surfaces you do not want to get any paint on. A little plastic sheeting will go along way to keeping paint off of floors, window coverings, handrails, cabinets, counter tops, etc... And, if you are not confident with your ability to paint a straight line next to door casing, baseboards, cabinets or hardware protect these surfaces using masking tape. There are two basic types of masking tape white/yellow and blue. The white tape sticks to surfaces better but, can pull off finishes on cabinets or stained woodwork. Blue tape usually will not pull off finishes but, does not stick as well, this will probably be the tape to use for most applications. Always wipe down or dust the surface you will be masking to assure the best tape adhesion possible. If you use blue tape you may need to re-rub down the tape before painting next to it, only mask off areas with blue tape that you will be painting for a given day. With either tapes, do not assume the are a force field that paint will not penetrate, use them as a reference and dry brush the paint next to the edge of the tape and avoid soaking the edge of the tape with a lot of paint, this will cause the paint to "bleed" through giving you an undesired look. If you will need to apply multiple coats of paint, on the first coat, paint as close to the tape as you can, not really getting paint on the tape. With the second coat or a one coat application, you can use the tape more of like a paint barrier and get a little more paint on the tape if you immediately remove each section of tape after painting the section, this will keep the paint from sitting on the tape and "bleeding" behind it. Also, if you get a lot of paint on the tape it is not good to let the paint dry on the tape because some paints (especially the glossier paints) will peel if allowed to dried, with the tape when it is pulled off. White tape should not be left on for longer than a couple of days and I suggest not leaving it on more than a day in areas that receive long periods of direct sunlight. Blue tape can be left on for days, if it will stay on, there again it does not stick as well and may need rubbed down again immediately before painting up next to it.
Complementary colors are opposites, and if you look at a color wheel, they are directly across from each other. While complementary colors may seem kind of mysterious to a novice, you just have to bring to mind Christmas to find a great example that is familiar to everyone, red and green.By simply making these colors a little paler, you can make this color palette work really well. Color tones are important, because rust and moss, while still being red and green, do not scream 'Christmas'. If your choice of tones is bold, you will create an eye popping design. However, it is common to get off course.
In symbolism you do need to look for the hidden meaning, and it's absolutely pointless in pop art, op art, art nouveau or hyperrealism. Each style and genre sets forth its requirements, so brush up on the movement the artist belongs to before you proceed.
However, if you put a coat of pure white primer (which has a score of 0) on top of the brown color wall first, this immediately brings your luminosity score down to 4 (8 + 0 = 8/2 = 4, the average). This means you may only need one coat of yellow paint to give you the right hue and saturation. In reality of course, you will always want to do at least 2 coats. But even with a total of 3 coats (primer and paint) you are way ahead of the paint-only option.
TERTIARY COLORS. Tertiary colors are made by mixing one primary color with one secondary color. For instance, mixing the primary color blue with the secondary color green, will give you a tertiary color called blue-green.
ANALOGOUS COLORS. Analogous colors are colors that are close to one another on the color wheel. They more or less will produce harmonious effects with very little contrast. For instance, a violet, red-violet, and blue-violet are examples of analogous colors.