Baby duck coloring pages duck coloring pages for preschoolers thousand of the baby coloring duck pages

baby duck coloring pages duck coloring pages for preschoolers thousand of the baby coloring duck pages

OK, let's get started. Step one...supplies. You need a flat brush, a fan, a small detail brush and a couple of Filberts. A filbert is a rounded edge brush that lets you maneuver the paint easily without going outside the edges. Ultimately buy brushes that you like though, and make them work. Fans allow you to blend, for example. I use fans a lot and it's how I graduate color throughout my images. Everything I paint is by hand....no airbrushing or assistants. I want it to be an expression of me and nobody else. You also need an oil painting medium to mix with the oil paint to make it more fluid, and to speed or slow the drying process. Whichever you prefer. Go to the art store and don't be afraid to ask for help....they'll love helping you! A medium is merely an additive liquid which increases gloss, makes it flow easily, preserves the finish over time, keeps it from yellowing. I personally love Galkyd and Galkyd Lite. If that isn't available, buy a medium that looks like liquid amber and is kind of thick. Don't buy watery looking mediums....too hard to work with.



If you are grappling with the problem of choosing a woodwork colour to go with neutral walls, check out Architectural Colours by David Oliver, the founder of Paint & Paper Library. He arranged his off-whites for ceilings, cornices, walls and woodwork in chromatical groups and the concept has been so well received that chromatically arranged colours, such as soft greys, greens and pinks, have been introduced.



First consider the size of the painting. The more impressive the subject, the higher the emotions it appeals to, the bigger it is. Religious, mythological paintings are often huge - their massive energy makes you shiver. It is pretty understandable with figurative paintings like Rafael's "The Sistine Madonna", and more subtle with color field paintings of Mark Rothko. People are often overwhelmed with religious tremor in the presence of his artwork, and the size factors in. Also, the subject often calls for larger canvases - battle scenes need space and cannot be fitted into a smaller painting, while some subjects will get lost unless depicted in a smaller size.


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Satin or silk - Water-based vinyl or acrylic paint for walls in high-wear areas, such as hallways and kitchens. A satin finish will be slightly shinier than silk.



Step five: pick your colors and start applying them to your penciled outlined images...make sure to mix the paints with a little Galkyd. Painting right out the tube is probably a bad idea, and it'll take forever to dry. Mix the Galkyd pretty evenly with the paint until you reach your desired thickness of paint. Less Galkyd keeps the paint thick. More makes it thinner. A safe start for a painting subject is a still life, like a bowl of fruit. No matter what you do...within reason...it'll look cool. You do not have to make a twig brown or an apple red just because nature says so. Use your imagination. Do something different. Collectors over time like to watch you evolve painting by painting anyway. So don't worry if your first painting stinks in your mind. It'll be interesting later once you're great. And by the way, most famous paintings have an under drawing, so they've used this layout technique I mention above. Sorry to tell you, most inspired paintings were planned out with pencil first. They did not happen spontaneously. They were built logically and in a defined order so that the end result looks right.



These techniques will help the lesser quality Paint Brush, as well as the best, making your experience with the tool that's been around for centuries, a pleasant one. Before you open a gallon of paint, the Paint Brush should be at your side, next to the can. Taking the Paint Brush by the handle, thoroughly soaking it in clean tap water before you dip it in the latex paint (soaking in mineral spirits if using Alkyd or Oil paint) will enhance your brush cleaning later on. Getting the excess water or mineral spirits out of the brush is going to be the next question, as it would be mine, if I did not know it. When using Latex paints, hold the Paint Brush firmly by the end of the handle, tapping the head of the Paint Brush on the end of your shoe or boot, giving a few good forceful whacks. Paint Brush is dry enough to dip in paint, but wet enough for an even flow of paint, and easier cleanup later on. This can be repeated if Paint Brush shows signs of drying out before the painting job is completed. If using Alkyd paints, try just blot drying with clean rag, as whacking on the end of your boot will cause a bit of splatter.