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Akbar (1556-1605) was the one who started encouraging of Mughal artist. After he had consolidated his political power, he built a new capital at Fatehpur Sikri where he collected artists from India and Persia. More than a hundred painters were employed, most of whom were Hindus from Gujarat, Gwalior and Kashmir. They worked under the two Persian master-artists Abdus Samad and Mir Sayyid Ali, but they were encouraged and inspired by Akbar.



We've devised a simple, full proof way to determine whether you are Light or Deep. Look at your overall complexion, eye and hair color. On a scale of 1 to 10, with 1 being the lightest and 10 being the deepest, determine where you fit. So, a 1 would be the palest Nordic complexion with light blond hair. A 10 would be the deepest ebony skin tone and dark or black hair. So, for example: most Mediterranean and Middle Easterners have dark eyes and deep skin and are, therefore, Deep. Most Northern Europeans have blonde hair and light eyes and are Light. Where do you fall? Give yourself a number. If you fall anywhere from 1 to 4 then you are a Light. If you are 5 or greater you are on the Deep side.



PAINT. There are many types of paint available today, some giving different surface finishes, others are designed for a particular application. Choosing the correct paint type may appear to be confusing at first, but once you have projected which theme you would like to paint your house and sorted out which job and what finishes you want, the choice is rather easy.


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Painting the exterior of your house requires a thorough estimation, visualization and preparation. When you have chosen your theme for your rooms and have bought the job materials you need.



Step six: once you get all the layers just like you like, let it dry thoroughly for several days. Now take black and apply the shadows with your clean brush in keeping with the laws of shadow and light like you've learned earlier. If you put too much, wipe it back with a Q-tip or a rag until it looks like a shadow. Make sure you're putting shadows on top of only dry under layers. Always clean your brushes in between colors to keep the colors isolated and pure too. You don't want blue in your shadows, for example. Study my paintings if you wish because I do a lot of distinct shadows and I light things like vases, leaves, birds, fruit, etc. in ways that I think will stand out to you. Like if I paint a vase the bottom of the vase is darker than the top. Just like in real life. This applies to any shape whether it be a face or an apple or a vase. Also look at my backgrounds, as I've done a lot of them. Notice how each background is a multitude of layers to give it a finished and complicated look. Glazes allow me to reach this end. When I started out I didn't know what I was doing and friends and family thought I was crazy. And the very same people act like they knew I'd make it now that I have. Oh well, it's the way of the world. But stick with it and you'll be enlightened and inspired over time!



It can be easier to roll first and then you will know exactly what you have to go back and cut-in with the brush. If you will need to put a ladder on the wall, then cut-in first and roll after you use the ladder to prevent marking the finish painted wall with the ladder. If you are using darker paints colors with a lot of tint/colorant, It will look better if you cut-in first and roll up as close as possible to cover up as much of the brushed/cut-in mark.This will keep the shadowing affect that shows between the cut-in and roller, down to a minimal and thus less noticeable.